1. Paul Cézanne’s enormous influence on the future of modernart was related to hisA. friendship with Emile Zola.B. interest in basic geometric forms.C. stature among the impressionists.D. study of the elements of color.2. The effect of glowing light in American landscapes is mainlyassociated with theA. Ashcan school.B. American realists.C. murals of Diego Rivera.D. Hudson River school.3. Which of these statements about Jean-Baptiste-Camille Corotis correct?A. He is considered to be the first impressionist.B. He painted in his studio from memory.C. His work greatly influenced the impressionists.D. His work was influenced by Monet.4. Which of the following describes the work of Picasso’s Blue Period?A. His portraits portrayed people in peculiar, geometric forms.B. The pictures displayed Picasso’s playful sense of humor.C. He painted mainly circus themes and harlequins.D. It depicted the poor, sick, or elderly in a melancholy way.5. Which of the following statements about art noveau and art deco is most accurate?A. Art deco was prominently featured in architecture.B. Art deco featured a decorative style that flourished until 1914.C. Art nouveau was a forerunner of modern geometric styles.D. Art nouveau features decorative styles that remain popular to this day.6. Diego Rivera’s mural for the lobby of the RCA Building was destroyed becauseA. Nelson Rockefeller was offended by nudes in the painting.B. it included a portrait of Vladimir Lenin.C. it contained too much Mayan symbolism.D. Diego demanded that the mural be returned to him.7. An important feature of dada art included rejecting artistic traditions in favor ofA. explicit violence and sex.B. destruction and negativity.C. cooperative, communal projects.D. higher standards of composition and beauty.8. An impressionist painting of a pond full of waterlilies is unmistakably the work ofA. Paul Gauguin. C. Edouard Manet.B. Marc Chagall. D. Claude Monet.9. _______’s unconventional approach to painting Luncheon on the Grass marked thefirst step away from realism and toward impressionism.A. Pierre Auguste Renoir C. Claude MonetB. Edouard Manet D. Jean-Baptiste-Camille Corot10. Van Gogh’s energetic landscapes combined emotion and symbolism in a way thatopened the door toA. expressionism. C. impressionism.B. neo-impressionism. D. dadaism.11. The work of _______, who lived in the Montmartre quarter in Paris, combined theinfluence of Japanese block prints with his own brand of irony and satire to producedistinctive poster art.A. Henri de Toulouse-Lautrec C. Amedeo ModiglianiB. Maurice Utrillo D. Diego Rivera12. The unique style of _______, who painted Impression: Sunrise in 1872, altered thecourse of Western art.A. Jean-Baptiste-Camille Corot C. Eugene BoudinB. Claude Monet D. Paul Cézanne13. Which of the following painters was most closely associated with the Ashcan school?A. William Glackens C. Thomas EakinsB. Edward Hopper D. Winslow Homer14. Creating the forms, tones, and contrasts of a painting by using dots of primary coloris calledA. contrasting. C. fragmentation.B. expressionism.D. pointillism.15. Important features of modern and postmodern art includeA. social satire and an eclectic approach to style.B. rejection of line and form.C. short brushstrokes and textured surfaces.D. detachment from social influences.16. Among the common features of impressionist art areA. objectivity and high energy.B. reflected light and textured surfaces.C. swirling brush strokes and symbolic colors.D. clean, precise lines and blocks of color.17. The American artist who used bold blocks of color, stark light, and lonely, sombersettings wasA. Asher Durand. C. Alfred Bierstadt.B. Edward Hopper. D. Edward Hicks.18. Which of the following features gave Gustav Klimt’s figure paintings a Byzantine look?A. Flat figures and gold highlightsB. Soft lines and long brushstrokesC. An organic rhythmD. Geometric forms19. The artist who applied the vocabulary of music to describe his paintedcompositions wasA. John Singleton Copley. C. James Whistler.B. John Singer Sargent. D. James Tissot.20. A painting of a ballet class at practice, reflecting both reality and the influence of theartist’s contemporaries, is recognizable as the work ofA. Edgar Degas. C. Paul Gauguin.B. Vincent van Gogh. D. Georges Seurat. For This or a Similar Paper Click Here To Order Now
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